| Kommentar |
This course provides insight into the transnational mobility and circulation of Latin and Caribbean musical forms (Reggae, Dancehall, Salsa, Samba, Mariachi, Reggaeton, Soca, Calypso i.a.) in the United States. By looking at the cross-border tensions and dynamics of Latin and Caribbean popular music between tradition and modernity, national identity and transnational meanings, the course seeks to examine historical periods, important key figures and the socio-cultural and at times political role of diasporic soundscapes in the United States. Students will gain an understanding of the emergence of fast changing and increasingly eclectic musical fusions, new forms of cultural creativity and cooperation as well as racial, cultural and ethnic hybridity across the Americas.
Readings/materials: A selection of relevant essays and book excerpts will be made available via MS Teams. The course will include listening comprehensions and music video screenings.
Course requirements: Completion of reading assignments, a short (oral) presentation, and an essay at the end of the term. Regular attendance and active participation in seminar discussions is expected.
|
